Nano Banana 2 AI Image Generator

Examples of Nano Banana 2 from X

Community stills on X made with Nano Banana 2. Copy a prompt and try it in the editor.

• Food Photography

  Peanut Butter Storyboard

  
  PROMPT

  TITLE: Premium Peanut Butter Product Commercial Storyboard FORMAT: • Single-page premium storyboard • 3:4 Portrait ratio • Gourmet breakfast product campaign • 8 cinematic product-focused scenes • Product remains the main hero • Luxury advertising presentation HEADER: • Elegant serif typography • Information cards: - Duration: 20 Seconds - Style: Gourmet Food Commercial - Product: Creamy Peanut Butter - Audio: Spoon Scrape + Soft ASMR • Why This Style Works section • Warm beige, caramel and brown aesthetic • Minimal peanut-inspired decorative elements STORYBOARD: 1. Peanut butter jar positioned on a premium stone surface with whole peanuts around it 2. Jar lid being removed, revealing perfectly smooth peanut butter 3. Spoon entering the jar in an extreme macro shot 4. Thick peanut butter slowly lifting from the spoon in a long creamy ribbon 5. Peanut butter spreading smoothly across warm toasted bread 6. Roasted peanuts falling around the jar in slow motion 7. Extreme macro showing creamy texture with tiny peanut particles 8. Final hero jar beside toast and scattered roasted peanuts EVERY PANEL: • Scene number • Duration badge • Camera direction • Visual • Action • Product detail CAMERA: Extreme macro, slow-motion spread, overhead composition, creamy texture close-up, controlled ingredient drop, smooth product push-in. STYLE: Ultra-realistic food photography, rich creamy texture, realistic viscosity, roasted peanut details, warm natural lighting, premium glass packaging, sophisticated breakfast advertising, 8K.

• Figures & Toys

  Coral Paper Couture

  
  PROMPT

  3D paper quilling and layered paper craft art of an elegant fashion illustration, flat lay view on a clean, off-white textured paper backdrop with soft overhead studio lighting and subtle drop shadows. In the center stands a stylized woman crafted entirely from layered cut paper. She wears a striking coral-red sleeveless dress with a sweetheart neckline, a thin black waist belt accented with a tiny gold buckle, and a dramatically layered, flowing petal skirt with a high front slit. On her head is a matching wide-brimmed coral-red sun hat with a thin black band. She has long, voluminous black quilled hair cascading in soft curls, a minimalist faceless design with red lipstick, dangling red drop earrings, and black pointed high heels. She gracefully holds a woven beige wicker tote bag in one hand and carries a small quilted black handbag over her forearm. The composition is framed along all four corners with intricate quilled paper floral arrangements containing deep red roses, coral-red five-petal flowers with bright yellow centers, beige quilled spiral roses, green leaves, and small red buds. The top-left corner is accented by a large, elegant coral-red folded paper bow.

• Travel & Scenery

  Rooftop City Overlook

  
  PROMPT

  A stylish young woman sitting casually on the edge of a rooftop overlooking a dense modern city, wearing a bold red faux fur coat, light blue relaxed-fit jeans, and brown leather ankle boots. She has short, slightly messy black hair and a calm, confident expression. The city below is highly detailed with streets, cars, and buildings stretching into the distance, with a famous tower visible in the background. Shot in natural daylight with soft shadows, cinematic composition, wide-angle perspective, ultra-realistic, high fashion editorial style, shallow depth of field, 8k detail.

• 3D Cartoon & Pixar

  Flat-Color Character Sheet

  
  PROMPT

  Create a CHARACTER DESIGN based on the photograph for a modern Western animated series — a chest-up portrait. This is NOT a realistic portrait and not a careful redraw: it is a stylized cartoon character inspired by a specific person. Recognizability should come from distinctive features and accessories, not photographic accuracy. SIMPLIFICATION IS THE MOST IMPORTANT THING. Remove everything from the face except what matters most. No gradients, midtones, transparency, soft blending, or fine rendering. Every surface must be filled with FLAT color: * Skin — EXACTLY TWO tones: base color and shadow, no third tone; * Hair — EXACTLY TWO tones: base color and shadow; * Clothing — two, maximum three tones. The boundary between light and shadow must be a sharp, angular line, as if cut out with scissors. Shadows must be a rich, dark version of the same color, never gray. FEATURES MUST BE STRONGLY EXAGGERATED — this is a caricature, not a portrait. Proportions should be intentionally distorted; that is the essence of the style: * The HEAD should be approximately one and a half times larger than anatomically correct relative to the shoulders and occupy most of the frame; * The NECK should be noticeably thinner and longer than in real life; * The SHOULDERS should be narrow, simplified with straight angular lines, without realistic anatomy; * The MOUTH AND FACIAL EXPRESSION must match the photograph. If the person is smiling, the character smiles exactly the same way: subtle if subtle, broad if broad. Do not stretch the smile or add one if there isn’t one; * The NOSE should be tiny, simplified into two or three lines, with no detailed nostrils; * The EYES should be large and almond-shaped, with large irises; eyelashes should consist of only three or four strokes; * The EYEBROWS should be thick, solid shapes positioned high above the eyes. Exaggerate the PROPORTIONS and simplify the forms — but do not change the facial expression. The face should read as an animated series character, not simply as a person who looks similar. HAIR should consist of two or three LARGE, SOLID MASSES with sharp angular edges, as if cut from paper. No individually drawn hairs, no thin strands, and no gradients within the hair masses. The hairstyle, parting, and length must come from the photograph. TAKE FROM THE PHOTOGRAPH: hair color and texture, parting and length; skin tone; eye color; neckline, style, and color of clothing; age; and facial expression. These are the identifying features and must be preserved. However, facial and head proportions should NOT be copied — they must be exaggerated according to the rules above. ACCESSORIES — ONLY THOSE PRESENT IN THE PHOTOGRAPH. Do not add anything: no glasses if there are no glasses, no earrings if there are no earrings, no necklace if there isn’t one. Any accessories genuinely present should be drawn larger and more noticeable than in real life and emphasized, as they help identify the character. If the person is holding an object rather than wearing it, it should remain in their hand or be left out of the frame entirely — never move it onto the face. OUTLINE — dark burgundy or dark brown, NOT black. Use variable line thickness: thicker around the outer silhouette, thinner inside, and disappearing entirely in some areas where shapes are defined by the meeting of two flat colors. ACCENTS. Add a warm blush as a flat shape on the cheeks and tip of the nose. Include one bright highlight in a simple geometric shape on the forehead. Metal should be rendered as dense gold flat shapes with sharp, straight highlights. BACKGROUND. Behind the head, place one flat polygon in a saturated color, rotated slightly, with straight edges, as if it were a sheet of colored paper placed behind the character. The head and shoulders should partially overlap it, with parts of the figure extending beyond its edges. Surround everything with a clean white background. No gradients, patterns, or textures. PALETTE should be limited to three or four colors, but the COLORS MUST BE RICH AND HIGHLY SATURATED. Every shade should be at maximum saturation: clothing, background shape, and hair should feel bold and vivid, like paint straight from a can rather than muted pastels. Skin should feel warm and alive, with noticeable blush. The background shape should use a clean, open color that contrasts with the main accent color in the person’s appearance. No faded, dusty, washed-out, or desaturated palette. COMPOSITION. Chest-up portrait: head, neck, shoulders, and upper chest. The head occupies most of the frame, turned in a three-quarter view, with the eyes looking toward the camera. DO NOT INCLUDE: faded, dusty, washed-out, or pastel colors; photorealism; digital painting; realistic portraiture; soft blended shadows; gradients; transparency; midtones; individually rendered hair strands; detailed skin with pores or wrinkles; volumetric facial modeling; 3D rendering; anime; uniform black outlines; anatomically accurate head and shoulder proportions; a carefully realistic portrait-style nose; ADDED accessories not present in the photograph; glasses on a person who does not wear glasses in the photo; altered facial expression; a stretched smile where none existed; missing accessories that are present in the photograph; paper or canvas texture; noise; any text, letters, captions, logos, or watermarks in the image.

• Product & Commerce

  Watermelon Lip Balm

  
  PROMPT

  A vibrant studio product shot of a pink watermelon lip balm tube standing upright among freshly cut watermelon slices, glossy water droplets on both the product and fruit, rich juicy red textures with visible seeds, green rind contrast, soft diffused lighting with subtle highlights, clean gradient background in warm red tones, hyper-realistic, macro photography, sharp focus, commercial beauty ad style, centered composition, high detail, 4K, minimal shadows

• Interiors & Spaces

  Riviera Terrace Chair

  
  PROMPT

  A ruggedly handsome man sits casually facing the camera in the bottom left quadrant, exuding a candid, serious expression with neutral lips and his gaze directed off-camera to the left, hidden behind classic dark wayfarer sunglasses. He is dressed in a crisp yet slightly rumpled white linen suit, unbuttoned at the top to reveal warm, realistic skin textures, completely barefoot with his legs crossed. His relaxed shoulders center his weight as his left hand drapes naturally over his raised right shin, while his right forearm rests comfortably on the armrest of his chair, fingers pointing down and softly obscured by shadow. He is seated in a weathered, thick branch-like rustic wooden armchair featuring a white cushion and distinct orange rope bindings on the front leg, resting on large pale grey square floor tiles separated by prominent dark grout lines. To his immediate left in the midground, a vintage, tall dark metal lantern with intricate cutouts sits atop a square table edged in dark iron with a black, white, and grey geometric tile top, all positioned in front of a dominant, thriving wall of rough, matte stone entirely consumed by deeply shadowed, lush dark green ivy. To the right, the deep spatial depth opens up to a pristine background where steep rocky cliffs drop into a sweeping expanse of calm, dark blue-grey ocean waters beneath a slightly hazy sky, creating an asymmetrical balance that draws the eye from the man across to the sea. The scene is illuminated by a single, highly directional source of bright, warm golden natural sunlight from the front, producing a dramatic, dappled effect that casts harsh, defined, deep black shadows under the subject and against the foliage. This hard light generates a split-complementary color palette of moderate saturation, striking high contrast by intentionally blowing out the highlights on the linen white clothing without any ambient fill, perfectly capturing a sophisticated, luxurious Mediterranean summer afternoon of effortless Old Money elegance. Captured as a tack-sharp, grain-free digital editorial photograph shot straight on with a 50mm lens at f/8, 1/500s, and ISO 100 to maintain a deep depth of field from the structured foreground to the distant cliffs, the image channels Classic Hollywood Riviera styling, enhanced in post-processing with deepened shadows, pushed highlights on the linen to emphasize the harsh sunlight, and a slight desaturation of the oceanic blues for a vintage cinematic feel, all perfectly framed in a 2:3 aspect ratio.